PHILIP POCOCK documentary datatectures UNMOVIE Fountain-Image
1989 TIMECODE-IMAGE

The life of the afterlife of cinema depends on its internal struggle with informatics. It is necessary to set up against the latter the question which goes beyond it, that of its source and that of its addressee.

GILLES DELEUZE, Cinema II: Time-Image, 1989.



 

 


POCOCK / STEHLE
Fountain-Image (Unmovie)
Munich, 2003.